Many are slighting Justice's new releases; I myself, although I agree the production is not in the direction I had anticipated, think that this new spell of indie electro-rock is exciting. So far the duo has awed me with the progressive delights of modern rock with the club taste I desperately desire. The newest sneak preview of the album is "Helix" and with this, they have taken their new approach even further; from 2:45 onwards, it is an absolute classic in the making.
The new "Weekend In America" album is almost here and it will bring new stellar tracks from the man who has been hailed as the Beethoven of our times. Of the new content, my favourites are near the end of the LP; "The Way It Was" is bursting with intricate melodies and chord progressions only broken up by distorted aural madness in the drop. "The Champ" is somewhat reminiscent of Space Junk which also features on the album and "Shrunken Heads" brings a far harsher raw synth to the table; enjoy.
Not since Benny Benassi's Satisfaction have I heard a track with such a raw, instinctual rhythm and melody. Once this tune drops, all hell breaks loose with some of the tightest bass plucks I have heard for years; straight up anthem right here.
The two massive tracks from 16bit's new EP encapsulate his harsh and deep style while retaining rhythmic rawness. Boston Cream steals the show for me, with its old school vibes never failing to get me hyped, but Dinosaurs hits powerfully accompanied by its trippy music video.
Lunacy, Clichés and a hard dance beat make for a wild interpretation of where dance music has taken us. I for one am sold on the no-subtlety approach that Ricky Reed has delivered this time around; "so stay up, until you wake up".
